ࢮक़ࡹᇽ࢝ტ֥ݖಀაགྷᄝTRADITION AND PRESENT OF CZECH ARCHITECTURAL EDUCATIONજक़غc҃અ୶ຏ/Michaela Brozovaऺหਞଫcຐກຏ ႇၲ/Translated into English by Katerina Valentovaွဘ ᇏၲ/Translated into Chinese by YE Yangᅋေğ༯ඍ໓ሳႵᇹႿࡹᇽ࿐֥࿐ളૌđႭః൞Ⴕࠏ߶֞҃ᄝࢮक़ථઌقक़đࡹᇽބଡ۽ӱ࢝ტऎႵӉ௹֥ૌ۽ቔ෮сྶ֥ॢࡗܿੰbࡹᇽീ۽ؒႵሢ֥۬ᇇঘ࣮۬࿐༝֥ຓݓ࿐ളđਔࢳ҃ঘ۬ࡹᇽ࢝ტ֥ൎaؿԮބႫࣲ֥ൎbնਈ֥ॉܞ၌ࠖބ໓ངႵള֥ބቆᆮđՖགྷᄝ֥࢘؇টुđૌॖၛҕॉࢲܒ࣮đᅚބགྷሑb҃ঘ۬აࢮक़ථઌقक़ମᇀൗࢸࡹᇽ֥ൎაࣂࡹഡࠃ࠺đമᇀॖၛሔි֞અઔൈ௹b҃ঘ۬ᆓԷᄝՎ௹ࡗđໃট֥ࡹᇽ۽ದсྶ๙ݖ؇ޓ֥ۚॉ൫đ฿ૡ్ཌྷܱbࡹႿ9ൗࡀ༯϶ွࢮक़܄ݓ֥ԷದѰರ၈ሰᄝ໊ࣜ3۱ࢨ؍ii࿐aඃ۽ބࢄഽbAbstrTahcet :b elow text brings info௹rࡗmđaఃtჷiఏoაn҃ oঘn۬ ӬthЍe֥ ؿhᅚisႵtܱobrᄝyՎ,௹ࡗđӁᄝ҃ঘ۬ࡹᄯઅઔڄӬЍ௹ࡗđᆃࣼၘࣜྙӮਔdevelopment and current stateള ਔoቋf ܞar֥chെitࡹeᇽcitiuᄪraႿlֻ e၂dࠎuc࢝aถtčiჿo8n85ӬЍീ۽ؒđѩෛሢࡹᇽြ֥ۚؿᅚఃၜඣղ֞in Prague. It acquaints the ap୍pĎlbֻic၂aׯntႵs ໓fሳo࠺rᄛ t֥hെeࡹ ᇽsđtॖuିd္yᄝ o҃fঘ۬Ӭਔۢหൈ௹č13Ē15ൗࡀĎ֥פڂbᆃᇕؿᅚႋ݂֒architecture, especially theЍ fđo࠺rඍeႿigᄝn༆ ϫonႱesഅ,ದ ၞwѾiঘtྋhc၈Чc۲ၹႿߟּҰඹൗđ൞ᆃ၂ൈ௹ቋᇗေ֥ࢮक़ބᇝopportunities and offers of stu҃d֥y੪,ྛ leᇏađrnᄻiႿn9g6 a2୍Ēn9d7 c3୍ሼuђltථuঘrڏaݓlࡅđबᇶbߎ൞۱୍֥ሰൈđࣼϜ134୍ࡹ4Ӯ഼֥ົpossibilities in Prague, a city wѩ֞hݖicࢮhक़ isଽ bc1lo0ൗsࡀeđlᄝyڙ cغoෳnຐnފeஐcഥtԛe֥dെหն࢝ถ֥ഡ࠹ᆀઔֺථcٓcέঘථնഽՖمݓջwith the history and present ofу bഈđֻotؽhቖ o҃rঘi۬gӬinЍaົl྆ aތnঘdč֣ wۚЍoĎrࡹlӮdbᆃ֞ਔ҃ঘ۬bᄝ֥Ϻᇹ༯đઔֺථcٓcέঘථնarchitecture.၂અઔൈսੀԮ༯ট֥Ԯඪᇏิֹ֥֞ٚđႵሢቋܞഽቆࡹਔ഼ົථն࢝ถീ۽ؒiiᆃ൞҃ঘֻ֥۬၂ܱՍğࢮक़đࡹᇽ࢝ტđൎ֥҃ঘ۬ᇏနն๏č11ൗࡀĎđၛࡀ8Ē9ൗࡀ֥ଉ۱࢝൱െቔ֥ࡹᇽ࿐đದჴЇওെࢄaגख़ഽa߂۽bKey w oCrzdesc:h, Architectural eduঘcົatּiݓoᇷn, ֥Hჵiྙstնo๏rbyԢਔ࢝ถaྛᆟބंᇾࡹᄝົ္ବၜඌ࿐ჽܶЌթႵέঘථ֥ჰᆼோᇽđᆃ္ູႵఫ֥Ӭ൧ंྩࡹሆെᇾᅍbሆെٜ؍đՖᇏॖၛुԛ֒ൈീ۽ؒۚӑ֥ඌඣbѩ҂߶ཞଡࡹᇽ၂ဢ൳֞ࠅᄙ֥႕ཙbᇀࣂđᄝܞᆓᇏඵުđ֥ᆀ൞টሱ୧Ѝ֥ն֥ࡹഡၘؿགྷႵնჿ7ׯ0ܞઅઔൈ௹֥െđఃᇏ၂ུമᇀ൞ᆀaࡹᇽഽބגෑࡅд֤cϘীbં൞ն࢝ถ൩ଽ๙3Ҫ֥b115୍8đڙغෳຐފഈԛགྷਔֻ၂Դെూiiڄ֥Кҧെੌะߎ൞഼ฆഈ֥ຩྙ܉đุགྷਔପ۱ᇫְථూb൞ۢหൔҰնూ֥భദbҰնూ֥ࡹൈ௹ቋۚӑ֥ࡹᇽބ۽ၜඣbᄝд֤cϘীč1372-ഡൈ14୍đࡹӮႿ֣ݓূ۴ථЍ֥െూᆭުđ൞ᇏ137୍Ď֥8ਵ֝༯đ഼ົห࢝ถീ۽ؒࠆ֤ਔܼ֥ٗᄡֻؽܞ֥െూᆭުbޓಸၞࢳđᆃᇕٮ൙֥ࢲܒ۽უbტਔჹӑԛࢮक़თ֥ඔնࡹᇽ֥۽ࢄބၜсྶႮႵ֥ࢄದটӵքbഡ࠹ᆀđᆃུࡹᇽ২ೂ֣ݓ֥ূ۴ථЍބ୧Ѝ֥ն࢝ᄪᄝ12ൗࡀđᆃ၂ਵთ֥࢝ტᇶေࠢᇏᄝᇗေࡹᇽถaمݓ֥ථหঘථЍն࢝ถaύֹ০ົ္ବ֥ն࢝ถb֥ࡹᇽീ۽čؒࡹᇽ۽ரĎđఃުᇯࡶؿᅚӮູ၂۱گᄖᄝົ္ବđϘী֥ظሰ໑ೖঘථ൞഼ථหُն࢝ถീ۽ุ֥༢b൙ൌഈđᆃུቋԚ֥ࡹᇽ࿐đႮ၂ᇶെࢄ֥ؒഽڳbቋު၂഼໊ົหീ۽֥ؒਵ֝ᆀ൞Нୄְބࡹᇽഽiioഽڳp čჷႿঘנეMagisterđ faक़bcricථađe҃ঘ۬ӬЍົঘְථঘڏն๏֥ቔᆀđھնᇶെࢄđࠇMagisteđr֝ oഽpĎᆷe֝rbisႵсေᇗണđ๏ၛఃَگ֥ۢหൔ܉ބ֒ൈ٤ӈӑభaਵ༵Ⴟ໓ၜگᆃུ෮໌֥ࡹᇽീ۽ؒč۽ரĎႨ၂ུোරᇏൗࡀྖ֥նԳطᇷӫbၘࣜྩࡹਔ4۱ൗࡀ഼֥ົหն࢝ถđࣁඌ֥۽ቔٚمiiЇওඌეބҠቔӱđၹູૄࡱቔӮູࡹᇽᇅۚׄđ఼߄ਔ҃ঘ۬ӬЍ֥ࡹᇽকཌđՖၩሢቋ٤ُ֥Ӯࣼđླေູࠞห൹֥aඌطྙӮਔ҃ঘ۬ห֥ຓܴbބၜඌᄯၯđჹۚႿ၂Ϯ֥୭৯ބ۽ၜ෮ିղ֥֞ඣሙb134୍đ8ߟּҰඹൗࡹ৫ਔ҃ঘ۬ն࿐đᆃቖᇏoၜඌp၂Ս҂ࣇ൞ၩሢࡹᇽٚ૫đൈ္іགྷਔඔቋܞ֥࿐ࢮक़ݓଽ֥ᇏൗࡀ࢝ტ֤֞ਔӉቀ֥࿐a֒ൈ֥฿໓࿐aྒཌྷ࿐ބᅽ࿐֥ၜbၜඌіղਔؿᅚbၜඌ࿐ჽčሱႮၜඌĎؓႿམေࣉೆః3۱࿐ࣁඌൖބࡹᇽ۽ࢄ෮܋ऎႵ֥ି৯đࠧԉٳᅧਔჽčمੰaപ࿐a၄࿐Ďᆭ၂֥ૄ۱࿐ളটඪ൞сྩ ᇫְනూෳ 5PXFS PG +VEJUI #SJEHF
UI DFOUVSZ ҃ঘ۬ӬЍଽ഼֥cౄᇍϘ༆০व࢝ถ 4U (FPSHFnT #BTJMJDB
1SBHVF $BTUMF
Ē UI DFOUVSZቔᆀࡥࢺğࢮक़ඌն࿐ࡹᇽ࿐ჽݓ࠽ࢌੀڬჽӉ൬۠ರ௹ğ2009-02-2030 ൗࢸࡹᇽ 2009/04
֥b֒ൈ֥؍ൔ࿐༝ࣉӱii࿐ൖaණൖބѰൖЌགྷݖࡼඌ࢝ტᇅ؇߄֥Ӈ൫bቂބఎൖ࿐ჽ္࢝൱ᇶܵđؓѯ༆ֹߌ֥ࡹ৫Ⴕሢ٤ཬॖ֥႕ᇀࣂbඌ॓ଢđఃᇏֻ၂෮Վো࿐16ൗࡀࡹႿၩն০đՖཙĠၝࠇྍ໓ၜگྖ֥սіದჿೣڏcఊหक़đ൞ᄝྍ֥ࡹᇽڄ۬ii໓ၜگྖ֞টᆭުđࡹᇽീ۽ପᇯࡶઢ֞ᇝఃݓࡅbൈ௹đԢਔ࿐ჽຓ္ޓ؟҃ঘ۬ऎႵն߶గᇉ֥ᇷ໓߄ࡹᇽ֥ഡ࠹ದđ֥ؒᇗေྟࣼᇯࡶࢆ֮ਔbᆰ֞16ൗࡀđն֥ࡹᇽቔഡ৫ਔః၂ུህ॓࿐đᇶေ൞फ൙ଽಸđغ؟ഒ္ഡ࠹ਔݓࡅ߅खჽiiࢮक़ݓࡅఓ֥འᆘĠߎႵჿಯߎ൞ႮoᇶെࢄpڵᄳbᄝՎൈ֥مݓđૌᇏ֥Ⴕུଽಸഡ࠹ടࠣࡹᇽ॓࿐bෛሢࣁඋӁਈ֥ิۚđӁೣڏcൽغՇđݓࡅѰܶބൌႨૅඌѰ֥ܶቔᆀb၂ུದФӫູoࡹᇽഽpđ২ೂğᄝ151୍8সcٮളਔ۷ऎຯ৯֥ఖđ၂۱ྍ֥ٝპ༢iiЍৈႋᄎ1ൗ9ࡀଌႵਆ۱ᇗေ൙ࡱiiᇏൗࡀٝპ۽൙֥ҷغФӫoູέڍغնࡹᇽഽpbݓਫ਼ၞඹؿ҃ਔਆ֡طളđఃഡ࠹മᇀԛሱႿղٯఅބέغѵหcשীᆭ൭b߮ބAssanمačt1io8n9୍3Ď֥ԛđࡆॹਔ҃ঘ֥۬࣌ᆸᄝϘႮᇶെࢄྩࡹྍࡹᇽ֥ଁđ҂ݖđࡹ৫ࡹࡹഡᆀӻႵ۽ӱഽčჷႿمეIngenĎiᆳeᅶub֞rϘઌࡹഡؿᅚđࡼఃሇэູ၂۱གྷս߄֥ն൧bః҃ঘᇽ࿐ჽč167୍Ď1ᆺ൞ࡆॹਔྛ࣌ᆸ֥ݖӱđߎक़ൈ௹đ170୍đ7ߟּჿೣڏ၂ൗᄝ҃ঘ۬ၛ၂ᆼጡ۬۽࿐ჽ֥ದჴၘࣜᇯ҄Ֆܞׅྙሇཟ࿙ᅳྍ֥і൞ေ֞ࡹᇽഽᇅ؇č169୍Ď֥0ႄೆҌቋᇔࢲඏਔࢄഽࡹ৫ਔᇝֻ၂۱۽ӱ࿐ჽii۽ӱ࿐ჽb17୍1ھ8གྷྙൔđෛሢགྷսྟ֥֞টđૌ֥ၜඌეӯགྷԛྍڵᄳ֥अ૫đఃᇏoᇶെࢄpФӞָ౼ཨđ౼طսᆭ֥ष൱ज़đֻ၂9࿐ളđႵሢቂ࿓đૌಆၜඌᄎ֥ڄ۬đνתୄc҃غୄक़č҃ঘ۬൧৫Ѱ൞࿆൛ࡹᇽഽ b҆ࠢᇏ֞࿐ؿఏದބԷࡹᆀक़ථֺνcຯฌН۬ሱܶa҃ঘ۬൧ᆟն༰ഡ࠹ᆀđൗࢸᇷ֥߂ࡅέغٿථcֻ၂ࡹᇽჽԛགྷᄝ17ൗࡀބ18ൗࡀ֥مݓބ࠭ࡹᄯ֥ᇾ෮࿐༝bຯฌН۬ᄻᄝمݓࢤ൳फ൙۽ӱଥ༱္ҕაਔުᆀ֥ልഡ࠹ĎaჿೣڏcٯղčᇶࠅӚႇݓđૌ൞აߟࡅ࿐߶ཌྷܱ֥࿐ჽđఃԛགྷ֤oૅބЍৈࡹᇽٚ૫֥࢝ტb࢝൱ඔ࿐ބࠫޅࠎԤaҩਈᅟĎđࠇࡥc३ঘᄝݓଽ֥པࡹᇽᇏ࿙ᅳሢഡ࠹ჷඌ࿐ჽpiiбೂđДᄽૅඌ࿐ჽčAcademie࿐ adٝeპsࡹᇽđ҂ࣇೂՎđ֥ሔෛᆀಞcٮְଲ֣cಅbBeauxĎ-ഹAࠞr၂tൈsbᄝପđ࢝൱ሢၛܞ༐ছބܞغč168Ē6176୍7Ďߎ࢝൱ଡ۽ӱބࡹᇽb19ൗࡀଌđႿ188୍5Ӯ৫đਸ਼၂෮࿐ii҃ঘઅઔၜඌູᆷ֝۔ਵ֥૭a߂aגෑބࡹᇽđѩପ၂ൈ௹ቋն֥ࠡބਲۋ߸ऊᄝՎđᇷ֥۬ൌႨૅඌ࿐đԷࡹᆭൈđ൞ѯ༆ֹֻ၂෮҂ЇওԢՎᆭຓ֥ఃٳᆦđೂࢳ௩aࠫޅބ൪bᆃϘઌक़ڄ֥۬ၜඌࡅૌᄝ҃ঘ۬đೂࡹᇽഽڳሰְض္൞ື၂֥܄৫ૅඌ࿐bྍ໓ၜگྖൔ֥ചđࡹུၜඌჽӮູ၂ᇕଆൔđᇯࡶђ҃ਔᆜ۱ᇝb࣐ܵ೦ࠉڏֺ.ୄĒηॏغaגෑࡅ҃ਗ਼.॓ڏބᄝފ֭ഈđؓ૫൞ਗ਼֡ڏၻু๏đఃഡ࠹ധ൳Ϙބົࣜਔ۲ᇕڿ۪đᄝᆜ۱19ൗ ࡀđૌಯࣸЌӻਔࡹM.҃Bস.ضa߂ࡅVcVcূବބPc҃ধ֣b၂༢ਙ္ବ࿐ჽڄ֥۬႕ཙbᆃ҂൞၂෮ն࿐ൔ֥࿐đ৫ᄝܞၜඌ࣮ᆭഈ֥ׅ֥ࣜ࢝ტଆൔbห֥ࡹᇽaגෑބ߂ቔӁളਔđުটᆃᇕڄ۬Ф֥ܳห൹ֹ໊ӑݖਔᇏ֩࢝ტ֥ඣđྸ؟Ⴊྮ֥ၜඌࡅ҃ঘ۬ૅඌ࿐ჽႮದቂླྀ߶ࡹ৫Ⴟ179୍3đၛo҃ঘ۬Ϙઅक़p֥ሳbФଁູӉބః࢝ᆯbᆃ෮࿐အᄝ൭۽ၜčെ൞ѯ༆ቋܞ֥ၜඌ࿐bᄝପđՖ184୍ఏ2ࡼᄝᇷඔ࿐ࡅa۽ӱ࿐ࡅaؿૼࡅڠิೖक़cჿაࣁඋגख़aଡגaል߂aൌႨσaศՌa١ࡹᇽ࿐ቔູֆ֥࿐॓࢝൱bᇝֻ၂෮ࡼࡹᇽ࿐ቔູೣڏcۥථหଽغ࢝൱č1756-୍1Ď8֥3࢝2ტളᇏđᆮഡ࠹Ďٚ૫֥ህದҌđѩᄝඌᆯြ࿐အ৫࿐֥॓࿐ჽ൞Ϙ֥ၜඌ࿐ჽđ17୍4Ⴎ0ߟࡅࡹᇽҕᅶϘ۽࿐ჽ֥ଆൔԷࡹਔྍ֥۽ӱ࿐ჽii҃ದჴbᆃ෮ልࡹᇽ֥ᆯြ࿐đଢ֥൞࿐༝აࡹഽक़Ēڠ෬ຐc҃ੈ֣غषഡbᆃ໊18ൗࡀቋᇷঘ۬۽࿐ჽč180୍Ď3bႮՎđӮູᇝֻؽaݗ௴ᇽཌྷܱ֥ࡹᇽྙൔބၜඌᇅᄯđѩഡ࠹ࡹᇽ֥ልa֥مݓࡹᇽ࢝ტࡅԛϱਔྸ؟ᇷቔđѩ൞ֳ֣અϱϤථЍबᇶݓࡅֻ֥၂෮۽࿐ჽb҃ঘ۬ᄝ࢝ტਵთ֥൩ଽބࡅऒbఃᇏࡹުᇷ֥࢝ტࡅႵН֣అc॓ಆཌྷ่ܱଢ֥ህࡅቔᆀđ֥ંᇷቔᄝᇗေӱ؇భྟൈ္ุགྷᄝ18୍1҃1ঘ۬ၻু࿐ჽ֥ࡹ৫đણđᆃ໊টሱႿົ္ବ֥ࡹᇽഽđഡ࠹ਔ҃ঘֻ۬၂۱ഈჹӑݖਔ֥ࡹᇽቔb֥࿐࢝ტࡼᇗׄࠢᇏᄝ൞ᇝֻ၂෮ၻুჽb҃ঘ۬۽࿐ჽ֥ᇶေༀ൞ ҃ঘ۬ӬЍଽ഼֥cົหն࢝ถ 4U 7JUVT $BUIFESBM
QSFTCZUFSZ
ႮڮႵࣜဒ֥ࡹᇽഽᆷ֥֝۽ቔ൩ᇏđڸࡆ၂ུህြტ۽ြaࢲܒބࡹᇽٚ૫֥ህြದҌb࿐ᇅ3୍đ࿐ 1SBHVF $BTUMF
Ē ඌ࿐॓čࡹᇽaܒᄯٚ૫Ďބದ໓࿐॓čൎaၜඌĎbളሱ࠭࿊ԛૌམ࿐֥॓ଢđᆃᄝ֒ൈ൞҂࿙ӈ֥b ഼cົหն࢝ถଲ৫૫ 4U 7JUVT $BUIFESBM
TPVUI GBDBEF ҃ঘ۬ӬЍଽ֥અ҃॓ົՇ܅ "HPTUJOP (BMMJ
1BMBJT -PCLPWJD
ᆃ၂࢝ტჰᄵӮਔᇶေ֥ᇝࡹᇽ࿐ჽ࢝ტଆൔđఃࣚ19ൗࡀၩၬധჹ֥oݓࡅఓpᄎđ֤ࢮक़ֹ໊֥ 1SBHVF $BTUMF
UI DFOUVSZෝ၂ᆰ࿃֞གྷᄝbᄝύྤּݓุ༢ଽ֤֞ਔิശbՎൈ֥ᆳ࢝ᆀЇও၂ུ ഼cୄܞঘථ࢝ถ ,SZTUPG BOE ,JMJBO *HOBD %JFOU[FOIPGFS
$IVSDI PGᄪᄝ18ൗࡀԚđᇏ֒ಖ္Їওࢮक़ݓđᄻԛᇷ֥ࢮक़ࡹᇽഽđೂࠝcٮ༐غđ൞ྛᆟࡹഡ 4U /JDPMBT
Ē ࢮक़֒սࡹᇽ/THE CONTEMPORARY ARCHITECTURE IN CZECH REPUBLIC 31
ྍၜඌڄ֥۬ࡹᇽiiགྷᄝၘ҂թᄝ֥॓ঘ෬ऴ٥ܶbҕᅶ֣ݓЇݷථ֥ଆൔࣉྛਔڿ۪bਸ਼၂۱ဘc॓ࢮߎջਵ֥࿐ളԷᇅਔ၂สಆ૫֥Ֆൎྙ֞ྍၜঘ֥࿐ളđჿೣڏcۥఞغӮਔ҃ঘ۬࿐ჽ֥ࡹᇽ࢝ტඌڄ֥۬ૅ࿐ज़ӱđѩބఃᇏਆ࿐ളiiέઌථc֣ڵᄳದđᄝ192୍2Ē192୍5௹ࡗປӮਔࡼࡹᇽ࿐ჽೋक़ބН֣అcЧ֣ૼرii၂ఏഡ࠹ਔᆩ֥ྍၜ৫ԛট֥۽ቔbၛഈᆃ3໊đૌඋႿྍ၂սࡹᇽഽđᄝඌஊᇏနٖč189୍Ď9bBcЧ֣ૼر൞ᇷ֥ྍၜඌൗࡀᆭࢌ֥ྍၜඌᄎ֥ແലᇏؿᅚԛགྷսᇶၬđᄝਆڄ۬ࡹᇽ֥ഡ࠹ᆀčᇝնٖa໑ೖঘථܼӆ֥ૼՑൗࢸնᅞᆭࡗa19୍3ս0ଌ֥ࠗࣉ֥ۿିᇶၬࡹᇽ࿐ྒ܅ބࠅူෳ֥܄ქնੌĎbᆭభđࣉೆਔൗࢸ၂ؽ֥৫ุᇶၬࡹᇽ֥ൈ௹bᆃ19ൗࡀଌđࢮक़ݓ֥ࡹᇽ࢝ტၘࣜᄝ҃ঘ֥۬3ࢲඏਔђ҃҃ঘ۬a҃غ୶aሥਟֹ֥֩ۿିᇶၬđႋ ۱ჽiiૅඌ࿐ჽa҃ঘ۬۽࿐ჽބൌႨૅඌ࿐၂֥ᆜุb֒ൈđ࿐ຂਔൎᇶၬđӮູྍၜඌᄎ݂֒ۿႿࢮक़ථઌقक़܋ބݓ֒ൈ෮ᆦӻ֥ࡹᇽ༵ڃषᅚఏটđᄝ189୍ֻ94۱࿐Ӯ৫iiଉঘົᇏྏ֥ᇗေᇏྏğࢲݔᄝ190୍Ϙ0ൗࢸѰফ߶ᇏđൌႨஊbਸ਼၂۱ύກcຐ۬ବ֥࿐ളνתୄcض۬غđඔቖӬ൧҃غ୶֥ࢮक़۽࿐ჽbਸ਼ຓ၂۱ቋڵഹ֥ࡹᇽૅඌ࿐ࠆ֤ਔᇗေ֥նࢂbࡀࡹᇽބӬ൧ۀ֥ቔᆀčၛն࿐ࡹᇽಕᇗࡹ҃ঘ۬࢝ტᇏྏđਔটሱႿύྤּݓ۲୍ֹ֥֥ണ౨ᄝ20ൗࡀԚࣉೆൌႨૅඌ࿐֥࿐ളᇏđႵሢໃDejvֹicĎeđ္აჷႿ۽ӱ࿐ჽč170୍Ď֥7҃ঘ۬ᆀđࣼ൞ົ္ବૅඌ࿐ჽbՖ189୍ఏ4đႮԷቔਔົটࢮक़৫ุஊսіದބਆՑնᅞᆭࡗ֥༵ڃၜඌྍള۽࿐ჽܱ༢ૡ్bᄝ192୍0 iiࢮक़܋ބݓӮ৫္֥ବཌྷ֒؟֥ྍࡹᇽ֥ύກcຐ۬ବ࢝൱ਵ֝bෙಖսđೂ߂ࡅჿೣڏcఞक़aຐՇঘڏcНථaѰޱਆ୍ުđ۷ູࢮक़ඌն࿐đఃᇏЇওࡹᇽބଡჰЧ൞ྍ໓ၜگྖބྍၜඌڄ֥۬ࡹᇽഽđ൞1906غc९бථෳaڠধิථक़cࠎೖঘaဘcሥغᄽົa۽ӱ࿐ჽቔູః7۱҆ٳč࿐ჽĎᆭ၂b୍đ࿆҃ሇཟགྷսࡹᇽđགྷսࡹᇽ֥Чᇉ൞ࡹᄯႮܒࡹᇽഽჿೣڏcۥఞغބύෳवغc୶ิୄbᄝ1910ࢮक़܋ބݓ֥ྍ၂սࡹᇽഽຂਔ҃ঘ۬ჰႵ֥ྙᄯaҋਘބࢲܒॿࡏૼಒࢸק֥ॢࡗbᄝᆃᇕྍ֥ࡹᇽ୍đဘc॓ࢮঘሇಀ҃ঘ۬ૅඌ࿐ჽࡹᇽ༢࢝bའđᄝᇾᅍࡹᇽčϐϐۿିᇶၬљඒಕĎބ܄܋ࡹᇽčۥ༯đ֥ࢮक़ֽሰνתୄcض۬غaѰޱغc༐ଁਔၛభᄝົ္ବဢഽՖύກcຐ۬ବ֥ථઌ໓ୄఞغ֥ঞࠝύϫवaࡉପक़֥֤܅aڠধิථक़c௴ણaဘc॓ࢮঘބڠধิථक़cઅ၈ථሔෛሢbࡹᇽഽჿೣ௴c௴ঞक़ୄक़bദູύກcຐ۬ବֽ֥ࠎೖঘഡ࠹֥֣หބϘෳϤࠊ܄ඳaύ֣అcغૌ౼֤ਔᆳᅶᆭުْ߭ਔ҃ঘ۬đѩӮູਔᇗေ֥ࡹሰđࢽൈၘࣜປӮਔົ္ବ֥ᇙ؟ᇗေࡹᇽb191୍8đაჿೣڏcڞථഡ࠹֥ޑܾϤࠊ܄ඳࠣછӆĎၛࠣఃᇽഽđض۬غބ॓หઅൈߎ൞࢝ტࡅbࢮक़ථઌقक़܋ބݓӮ৫đᄝ҃ঘ۬Фਔ၂ཛหٚ૫षԷਔ20ൗࡀ҃ঘ۬གྷսࡹᇽڄ۬bဘc॓ࢮঘ൞ࢮक़གྷսᇶၬᄎ֥սіದb֥љ֥۽ቔbֻ၂໊ࢮक़ථઌقक़ሹTcGcઔक़ᄝ֣फᅝਵൈ௹č193Ē9194୍Ď5đ෮Ⴕ֥ࢮक़նᄪ௹ቔಯಖඋႿྍၜඌൈ௹č҃ঘ۬໑ೖථঘථܼӆ൱ଁྩڿ҃ঘ۬ӬЍđ༐ຬିܔᇗࡹ၂۱ᇶݓࡅ࿐Ф௧ܱоਔbᅞᆚࢲඏުđࡹᇽაଡ۽ӱ࿐ჽگ֥д֤वᇾᅍaଉঘົ௴અථࢮჿڏ֥ྍၜඌ໓߄܅֥འᆘb௴ঞक़ୄक़ؓᆃቖٿࡹᇾᅍ֥ڿᄯՖჳೆज़đᆰ֞196୍đ֒0ൈ֥ࠫ۱ჽ༢ކѩ֥ྍ࿐ჽiiiiݓᆭࡅĎđᇯࡶሇطܒනԛ၂ᇕྍ֥іགྷྙ൭đႨྦ֥ੌะބ్֥ሼ֡ࡼ۲҆ٳཌྷ৳༢ఏଡ۽ӱ࿐ჽႋᄎطളbᆃᇕࡹᇽބଡ۽ӱ࢝ტٳ֥ൔđၛ༷ૼ֥ྟ֥٤ؓӫܒູఃᇶေหᆘčތঘ֣টđᄝ൩ଽđӞָࡼॢࡗيྍѩഡ࠹ਔሹܲ፱bުݔ൞࢝ტᇗׄ٢ᄝႮᇏနק֥ࡹᇽ࠹߃෮ླ֥োՇcक़ঘઌຳѰܶĎđؓልྟҋਘ֥࿊ᄴ္ປಆ౼थ҂ࣇپڶਔӬЍࡹᇽ֥ॢࡗۀđ္ఃऎႵਔॢࡗྙ߄ބყᇅ߄֥۽ြࡹᇽഈb195୍0սഠ߶ᇶၬൈ௹ᆭႿૌሱദ֥หčׄঞތหщࠠᆭࡅࠇ҃ঘ۬غϘଽഈԎའ֥ൂၩđᆃॖି႕ཙ֞ਔՎު෮Ⴕ֥ࡹᇽުđࡹᇽ࿐႒টਔ၂۱ԛགྷᇙ؟ᇷࡹᇽ֥ᇗေൈ௹đक़ᇾᅍĎb189୍8Ē191୍0đဘc॓ࢮঘӮູ҃ঘ۬ൌഽllԢਔڿᄯӬЍđ௴ঞक़ୄक़ުটࡹᄯਔ҃ঘ۬ຯఃഡ࠹ᆀࢹਔࢮक़ۿିᇶၬ֥၌ڄđൈᄝྍ֥ࡹᇽႨૅඌ࿐ࡹᇽህြ۽ቔ൩֥ڵᄳದđӻႵࡔק֥གྷঘ഼ֿ֥ྏ࢝ถč192Ē8193୍2Ďđ၂ᆰᄝൌႨඌᄎႨᇏაၜඌࡅa൭۽ၜࡅކቔđ࿙ྍ֥іղbսᇶၬԷቔౠཟđѩಪູࡹᇽაൌႨૅඌ൝сေྙӮૅඌ࿐ᆳ࢝đᆰ֞192୍1Фט֞ྍӮ৫֥҃غ195୍8҃ਗ਼ೖغѰফ߶ބ196୍7ᄝห০غൗࢸѰফପն࿐b߶ᇏ֥ࢮक़ථઌقक़ᅚফܶ൞ᆃোࡹᇽᇏੱ༵ཚუݚຓ Ē ࡹᇽ࿐ჽᇏ๖đ၂୍ࠩ࿐ളቔြᅚ "USJVN
UIF FYIJCJUJPO PGᄝൌႨૅඌ࿐౼ս௴ঞक़ୄक़ഽބӉᆯༀ֥֥čభᆀႮF९.ѵغaJ.ތ ਗ਼бaZ.ѯ ॓ୄഡ࠹đު UIF TU ZFBS TUVEFOUT൞ஂົcࡉପक़ބύෳवغc୶ิୄđުᆀᄻᄝ֥ᆀႮM০.ஂaVஊ.ఞaF९.ѵغഡ࠹Ďb197୍6đ৫ ҃ঘ഼۬ྏ࢝ถ +PTJQ 1MFDOJL
$IVSDI PG UIF )PMZ -PSEnT )FBSU
1SBHVFĒ7JOPISBEZ
Ē ഽषުᄝ҃ঘ۬࿐ჽ؋௹ᆳ࢝b192୍ᄝ5ஂົcࡉ֥ࡹᇽ༢Ӯ৫ਔđѩࡼଡ۽ӱٚ૫֥࢝࿐Ќᄝଡ ҃ঘ۬ࠢ൧čགྷູݓࡅૅඌܶĎ0MESJDI 5ZM
+PTFG 'VDIT
'BJS 1BMBDF
ପक़ᆳᅧ௹ࡗđ࿐ᄜՑᄝϘ֥ልၜඌնᅚᇏၛል۽ӱ༢b 1SBHVFĒ)PMFTPWJDF
Ē ၜඌஊڄ֥۬ᅚফࠆࢂbުটᄝഡ࠹ਔઑଡ଼ථૅඌླྀ198୍9ު đݓࡅ۽ӱ࣮ࠏܒٳࢳູ۱ದ۽ቔ൩b ޑઑৡᆭ +PTFG (PDBS
)PVTF CZ #MBDL .BEPOB
1SBHVFĒ߶ᅚ๏ބఃࡹᇽ֥ύෳवغc୶ิୄ֥ਵ֝༯đ࿐ࡹᇽ༢္൞ᆃဢđՖ199୍0ఏ đ۴ऌն࿐م֥ܿקđࡹ 0ME 5PXO
32ൗࢸࡹᇽ 2009/04
֞40֥۽ቔ൩۷൞ೂՎbཛଢଽಸᄵაൈऒࣉֹҕᅶVysehĒrcaadme into being. In a place storied by21ൗࡀ֥ൌ࠽໙ีഡᇂii২ೂđӬ൧Ԋaሱಖܴࣟmythological fables from the Romanesque period thereაקं֥ׄᇗࡹaስֹ໙ีaᄝྐ༏ഠ߶ᇏაഠ߶ඌwas preserved the oldest Prague rotunda (11th century),ሇэႵܱ֥ᇾٜ໙ีaႵห൹ླᆀೂದࠣҗᅰದൖcommemorating famous rotundas in the Great Moravian֥ंᇾ໙ีaളࢲܒބॖӻ࿃ؿᅚ໙ีa໓ܞ֥ࠖEmpire from 8-9th century. Besides churches,Ќაົྩ໙ีbᄝ۲۽ቔ൩ᆭᇏđ္Ⴕ၂ུหљ֥۽administrative and residential buildings there wereቔ൩ູԷᄯ٤ԮࡹᇽྙൔᄝࣉྛCAӱDٚ૫֥ฐalso built stone residential houses for rich city-dwellers. ษbૌՖฐ෬ቋྍඌ൭؍֥ٚൔট࿙ᅳྍ֥ഡ࠹These stone houses did not succumb to frequent fires asࣥbwooden houses did. By now there have been discovered৫ਔྍ֥ᇅ؇đં൞ఃࢲܒބ࣮ቆᆮđႵਔᇗն෮Ⴕࢮक़࿐ᆭᇏđࢮक़ඌն࿐ࡹᇽ༢֥ຓݓabout seventy Romanesque stone houses in the Old֥э߄bྍ֥࢝࿐ٚൔႄࣉਔྍ֥ഽđૌ൞ᇷ࿐ളቋ؟đૌটሱႿᇝఃݓࡅaૅݓa༆ۢaϘTown, some of them being even 1158 the֥ᆳြࡹᇽഽđೂࡼ҃ঘ۬ڮႿіགྷ৯֥ࡹᇽഡ࠹ᆀέ༆aᇏݓaྍࡆll࿐֥ଢ֥൞ࣉ၂҄ᄹ఼ຓݓ࿐first stonĒeJ burdiidtghe B ridge - across the Vltavaৡଫcঘଚ॓ຏčᇶࠅӚᅟيྩބࡆࡹa໑ೖථঘථള֥ੀྟѩაః࿐ࡹ৫ކቔࡏܒbriver was founded. It was the predecessor of the Gothicܼӆ֥CKഅDြն༰Ďa၌ᆶྩگህࡅѰޱغcٯղaࡹᇽ༢ௗਔޓ؟ᇗေ֥֒սࡹᇽഽğဘcѰఫaCharles Bridge. Its construction lasted 14 years andᇙ؟ᇷࡹᇽ֥ഡ࠹ᆀवূغcޱϘ్क़čဵ֣ঘࠝථঘڏcঘ҃ථaઅણc९ථࠎaڠঘְغcक़after the bridge in Regensburg, Germany. it was theഈ֥൪ෳĎaઅථঘڏcೖڠغ֩bࡹᇽഽބࢭԛ֥ঘหࠎ aဘcೖ֣ঘक़aд֤c්ථक़aဘcೖ௴क़ބsecond oldest stone bridge in Central Europe. It is easyགྷսࡹᇽൎ࿐ࡅڠঘְغcീঘෳ࢝൱֒࿊ູჽӉbд֤cݗဵक़aέৡଫcঘଚ॓ຏđčࡼႿࣂ୍षീto understand that such demanding structural processesଢభđ҂ࣇ҃ঘ۬a҃غ୶ބ০НূՇֹ֩ඌն۽֥ྍ༢֥ܶഡ࠹ᆀĎbሱ200୍6ၛটđ࿐ჽᇶܵჽӉhad to be led and carried out by trained people.࿐֥࢝ტุ༢ଽЇওႵࡹᇽ࢝࿐đ൱Ⴭ࿐ള۽ӱࡹᇽ၂ᆰ൞ሥ֣ଽक़cҰغđ࿐֥࢝ტބࠏܒؿAlready in 12th century the education in this fieldഽ࿐໊đൈ္Ⴕၜඌჽҕაࡹᇽ࢝ტii҃ঘ۬ૅളਔޓ؟э߄bԛളႿࢮक़đ֥ഡ࠹ളႵޓӉwas concentrated in building workshops (building lodges)ඌ࿐ჽބൌႨૅඌ࿐đఃиြളࠆ֤ህြࡹᇽഽ࿐၂؍ൈࡗ൞ᄝހধ؇ݖ֥đᄝପđഡ࠹ປӮਔᇙ؟at significant buildings, which gradually developed into໊b҃ঘ֥۬ࢮक़ඌն࿐ࡹᇽ࿐ჽ൞ቋն֥࢝ტࠏࡹᇽѩᆷ֝࿐ളđᄝمݓa٤ᇝ္Ⴕ֥ቔllଢభa complex system. In fact these are the first buildingܒđఃჽ༢ܿଆ္ᄝᄹӉčՖ198୍֥9400࿐ളࡹᇽ༢ԢਔԮ൱ህြᆩ്ຓđߎ୭৯ᄝ؟ჭ߄ބݓ࠽ކschools, headed by a maĒster mason and architectശᇀଢభ֥1 30đ0ಆሹඔູ2.ຣ7࿐ളĎbቔቔ֥ߌᇏđ࢝ტЧദऎႵԷᄯྟaૹۋྟၛࠣၜඌaomasot e(frrom the Latin mĒmagaisstteerr fabricaeູࢮक़ֻ၂໊֥ࡹᇽ༢Ⴟ200୍7ࠆ֤ᇝಪᆣđఃиૅ࿐ބളࡎᆴb´mason, or maĒgmistaesrt eorp oefr iwsork). It isြള֥࢝ტބ࿐໊֤֞ૐಪॖѩॖၛᄝᆜ۱ᇝࣉྛnecessary to remind that these so called buildingࡹᇽഡ࠹čૐѓሙ85/384ބ/2E0H0S5/Ď3b6ࡹ/ESThe architectural and civiwl eonrkgisnheoeprsi n(glo eddguecsa) tuiosned some processes similar toᇽაӬ൧ഡ࠹֥ٳᆦၛ༯ߎٳູਆ۱ህြğჳਟބܴࣟin Czech lands has long-term etdraiedviatilĒo ianl cahlunedmi nhygis and workingഡ࠹აྍӮ৫֥۽ြഡ࠹bԢਔࢮक़ე࢝࿐ຓđ༢ߎLively building activities arep droceudmuerenst,e db eecvaeuns ein a tphiece of work was characterizedิ܂ਔਆᇕႇე࢝࿐ğණൖ࿐໊ज़ӱބѰൖ࿐໊ज़ӱbRomanesque period by numbye rtopu sa cahricehveeomloegnitcsa rlequiring extraordinary education࢝࿐ଽಸೂն؟ඔᇝ࿐၂ဢđ۴ऌuѰઌୄ࿆vdiscoveries and written repoartnsd a tse wchenllic. aTlh aen bde agritnisntiincg skills, above-average diligenceٳູ3۱ࢨ؍ğЧ॓࿐༝3୍aණൖ࣮2୍ބѰൖof the town Prague, which waansd f wouonrdkmeda nins sEretv ocmeonen adtnhte nwootrd ࣮3୍bࡹᇽ༢֥ज़ӱაᇝఃჽ֥࢝࿐ଽಸЌӻhalf of 9th century during thoen lrye iag nd eosfc rpirpitnicoen Boof rsikviolljs, in the branch of architecture,ሢ৵ܺྟđၛሹ࠹14۱ٳ॓টಒЌ࢝࿐ିܔᄝದ໓athe founder of the Czech prbinucti paallsiot ym, arteh ecmonanteiccst,e tdĒhen-current astronomyඌބၜඌٚ૫ղ֞नޙٳ҃b۴ऌܸ২đࡹᇽ༢֥ն҆with the development of Praagsutreo lCoagsyt laen. dIn p thhilios The art expressed masteringٳ࢝࿐đӑݖ1/4֥ज़ӱ൞ၛбࢠ༵ࣉ֥࢝ტଆൔaoriginate the oldest disĒc ofivresrttehde ssttoundey sotrfu tchteu rsepsace regularities necessary for theᄝࢮक़ᇷࡹᇽഽࠇݓຓࡹᇽഽᆷ֝༯֥۽ቔ൩ᇏࣉྛof all the first Christian sancwtourakr yo (fa brouthn da n8 8a5l) Tehmeist and a builder. Buildingऎุཛଢ֥ഡ࠹b࿐ളૄ۱࿐௹ॖၛ࿊ᄴ/ෲ֥۽ቔfirst written testimony for stwoonrek hshooupses sh, apdr oab satbrliyc ta losroder and organization, from൩ࢨ؍֥ڵᄳದbᆃಒЌਔഽളᆭࡗႵᆰࢤّ֥ঌb۽in the area of Prague Castlen,o wads apyrse pseorinvet do fi nv itehwe we can refer to a structuredቔ൩֥۽ቔ൞Լᆰٳ֥҃đᆃ൞҃ঘ۬ჽ༢࢝ტ֥၂۱travel book by a Spanish Jewstisuhd ym, edrucrhinagn tw Ihbircahh iam f uibtunre builder had to pass difficultหљᆭԩğՖؽ୍ࠩ֞иြϫ֥࿐ള߶ᄝ၂۱۽ቔ൩Jakub, who had travelled threoxuagmhoinuat tSiloanvso naicn dc oguon ttrĒhiaerosnugh three stages۲ሱປӮဢ֥ഡ࠹ༀđหљ൞ଖུ࿐ളದඔ߶ղin 962-973 and reached oura tpeprreitnotriyc ea,s aw nIne y1m0tahn and a , on a rock promontoryIn g Prorawginuge oaulrte satdrayi gdhutring the building of thefrom the river Vltava, thĒe sReocmonadn ePsrqaugeu eca csatlset lteh ere was formed a castle workshop ࡹᇽ࿐ჽྍܶٚσ 4SBNLPWB "SDIJUFDUT
QSPKFU PG UIF OFX 'BDVMUZ PG "SDIJUFDUVSF
EFTJHO TUVEJP ҃ঘ۬ޱථ࢝ถ 1BWFM +BOBL
$IVSDI PG )VT
1SBHVFĒ7JOPISBEZ
Ē čԢ ຓജ႕नູ 7PKUFDI 7PUZQLBđ ϱಃඋႿğථঘଚ॓ຏࡹᇽഽ֖σܶ "SDIJWFT 4SBNLPWB "SDIJUFDUTĎ ࢮक़֒սࡹᇽ/THE CONTEMPORARY ARCHITECTURE IN CZECH REPUBLIC33
whose significance reached itthse tmop w ine rteh ec aGlloetdh iacr pcehritioedctemuirl,i ., iann 1d5 1ra8t Mheicrh oecloctasionally those focusing on(13th-15th centuries), withF éthrée, a grraivnadl aorfc ah irtaepcitdeur dub uHialdvirneg. sKciinegn cLeo uoins VWith the expansion of metalbuilding development. This dimevpeolsoepdm ae nbta wn aosn i nbiutiladtiendg nperwod sutcruticotnu raensd b cyo nmsaesqtueerntly more powerful weapons,by Emperor Charles IV, the moassto snisg ninif iPcarnist bCyz etcwho a vnedrdiwcthso, sbeu dt eosnilgyn ewsatas belliashbionrgated even by Leonardo daEuropean sovereign of that ptehrei Adnalermechaiedit yed catsu ar ey o(1u6n7g1) Vaicnccei learnadt eAdlb tehret Durer, Ēa new defence systemprince he brought from Frabnacnen itnog Pprraogcueess M wahsitcehr was fbiansatliĒloycn acsmome pilnettoe db ebiyn eThe builders held theMatthias of Arras, the authoinr torof dpulacntiso fno ro fS ta. rVcihtiutsectshdiepg r(e1e6 9o0f) e, nbgyin weehric (hfrom French ingenieur). In theCathedral founded in 1344o. mFoars theirso- m hweaelsrpoeen rtsso tMaallsyt ecarncelBleadro aqnude rpeeprliaocde din 1707 in Prague Emperor Josef I by aMatthias of Arras founded bthy es nV iatrucsh ibtueicltdsi n(agrchitercetsecsr iepxtp esrtas bpluisrhées)d. the first engineering school inworkĒshtohpe first building school Tinh eP rfairgsut es cwhhoiocohls of archiEtuercotĒupSreceh aoloslo oafp Epnegairneedering. The instructiontrained stone-masons, scudlputroinrgs, 1 p7athin atnedrs 1. 8Tth ecenturisetsa ritne Fdr ainn c1e7 1a8n da nEdn gitlas nbde,ginnings were very modest:outstanding quality of the binu ilcdoinnge wctoirokns hwoipt,h etvhen rĒoyatlh esc fhiroslta rnliyn es osctiuedteiensts, predominantly of noble origin,from the graphical aspect, isa dcoacduemeienst,e dw bhyo sae ferafofgsomcrhteosn oltelsdu o stefod t thoe arsise mofb ly in the dwelling of the school initatorof the orignpinlanl ,A prraeserved inf itnhee o al iĒrbtArscaaryd eamtie des Beauxa-nAdr Dnrdaewr iCnhgr,istian Willenberg, educated in Francethe Academy of Fine Arts inp Vaiienntninag., sculpture and archinit etchteu rfeie wlde roef tmauilgihtat royn engineering and bastionAfter his death his work wtahse f oblaloswise odf brye athl ec oggrenaistancec oonfs Atrnucciteinotn ,G wreheickh a hned himself built. He taught thebuilder, architect and sculpRtorm Paent ear tP, abruletr b, ecsoimdeisn gthatb oatshicesr obfr amncahtehse,m suactihc sa sand geometry, geodesy,from Nuremberg. Both his aiaryn antoormthye,r gne sotmoneet rsyt ainrdca psersfpoercttifivicea wtieorne Tthioens,e but only his follower Janin the interior of the cathedraarlt aancda dtehme ineest bveacualmt oef at hmeodFelr dfoinra gnrda dSucahlolyr a(1p6p8e6a-r1in7g67) initiated the instructionhigh chancel represented thes cahrcohoiltse ocft uaratl t ahnrodu tgehcohuntic Eaulroofp cei,v ialn edn egvineene trhinogu gahn dth of his period. Unduenr dtheerw leandte vrashriopu osf rPeeftoerrms, tThheey gmreaaintetasitn teedx tbhoeok and inspiration of thatParler (1372-1378) the St. Vcitluas swicoarlk smhodpe rle oafc heeddu citastionp ebraiosedd, hoonw tehvee srt,u wdya so tfhe city as such: in Pragueworldwide fame. It trained annucmieenrto aurst bthuriloduegrhso aunt dthe wfahmoloeu 1s9 Btahr coeqnuteu aryrĒ.ttihstes awrcehreit eccretsatingauthors of significant structurTehse eAvceand ebmeyo onfd F oinuer Artsf iant hPerar gauned w saosn f oDuienndzeednhofers, . Santini-Aichl,territory, ., the cathedrbayl sa ipnr iRveagte nasrbisutrogc rantidc assoscciuatlpiotno rasl Binro 1k7o9f3 a anndd , painters , Germany, in Stirsa tshbeo oulrdge, sFt rsacnhcoeo lo orf ianrt in RBeoihneemr dA Ah ausnique set of buildings,Vienna, Austrians, swonh eWre nPcaerslelbares ebne ctamugeht there independescnutlyp tsuinreces a1n84d2 p. aTihneti nfigrs twas being created in thethe master of St. Stephen wEourkospheoapn. Tschheo loals tf oart athrcehitsetcytluer walh iscchie wnacse last earn called Prague of the St. Vitus workshoinpd wepaes nBdeennetd idkits cRiipeltinhe, twheas thDe uPrainrigs Ethceol e duecsa Atriotsn,al career of professorauthor of Vladislav Hall in Porpageune dC ians t1l7e4, 0w bhyi cth ew raosyal Farachnittiesectk Gqueerst-Fnrearn (c1o7is56-1832), an outstandingvery inspiring for its formallByl eTxh fislo mrido-sGt ositghnicificamnta tFhremncaht iacriacnh,i treecsteuarraclher in the field of mechanicsvault and for that period verye dpurocgarteosrs iovfe 1 l8atrghe c wenintduoryw ws,asn adn a auuththoor ro of fm naunmy einrovuesntions, the original School ofwhich already anticipate thep iunbcloicmaitniog nRse annadis Sistnts. suEbnjgeincet eitreinmgs wfoars Daicdceorrodting to the model of the ParisVitus Cathedral, having beeenn cbyucilot ptaheroduicgahlo duitc tfiounrary aEncdo hleis Pthoelyotretcihcnali qwuoer kt rbaynsformed into Praguecenturies, has become an aitrsc hsigtenicfticuaranlc ed oamndin eaxnttent oPveorlryatne cthne ibcu (i1ld8i0n3gs) .w Iht icthus became the secondamplifying the silhouette ofh eP rhaagdu ec oCmapstlleet T thheu esducpaotiloynte acth hnisc sicnhsotiotlu ftoec uins eEdurope and the first in theshaping the unique appearanocne t ohfe Pwraogrku ein. studios headeHda bsyb puragc Mtiocnaal tPercotgs,ressive initiatives in the fieldThe development of medieavcaclo emdpuacnaiteiodn wini tChz espchecialiostf etedcuhcnaitcioanl saurbej ealcstos documented by the fact oflands was strongly enhanced( baulsiold binyg t,h ceo enstarubclitsihomn)e anntd ohpuemnaingit itehse ( Phrisatgourey oMfu asircta,l Conservatoire, one of theof the Prague University, thheis otoldrye) Tohnies eind uCceanttiroanlal proinldceipstle c obnescearmvaet tohiree sm iani nEurope, in 1811. The task ofEurope, founded by the Empmeordoer lC ahlasorl east IoVt hine r1 ascghuoeo Plso olyft aercchhniitce cwtuarse to educate specialists forThe faculty of arts (free artsa) nwda ist sa ersesqeunicsiet eh absa sbieces nfo mradinotmaeinsetidc binyd nuoswtrayd, and architecture. Thethe follow-up at one of the tThrheee eoftfhoertr sf afocur litniesstitutiostnuadlyis leads tteedc thhnriecea lyears and the students themselves(juridical, theological, medeicdaulc)a. tTiohne atphpeena-rceudr rienn ctentrael eEcutreodp eth aen dsu cbojnescetqs utehnetyl ywanted to study, which wasprinciple of thrĒebea-cshtaegloer ,s tmudainyst tehre a lnadnds of Czech Kingdorme aolnlyl ye axtr tahoer dbiengairnyn fionrg tohfat time. During 19th centurydoctĒohrals been preserved by1 n8othw . Technical subejevcotlsv ewde are s iaglnsoif itcaaungth mt oatvement of so-called nationalThe significance of buildairnigst owcorraktisch oapnds wknaisghthood eanclaidghetmeinems,e fnirts, tw ohfi cwhh imcheant the promotion of Czechgradually decreasing with theh avrirnivga bl eoef nth feo unnedwe bdu aildreinagdiyd ienn t1i6ttyh w ciethnitnu rtyh ein f rIatamlye,work of the Austro-HungarianstyĒl eRenaissance. Great buildfirnogm m wahsteerrep itehceeys gwraedreually sMporenadrc thoy .o tAhte trh Eaut rtoimpea tnhe educational staff includedcarried oomuta sbtye r-om (amsoanitsres mcaocuonntsr)ies. Concurrently woituht satacnadienmg iCezse cohth aerrchitects, such as Jiri Fischer, theuntil 16th century. At that stpimecei ainli zFerdan scceh osomls ew oefre esptraobvliinshcieadl, bfuirisldt ionfg adllirector, who significantly34ൗࢸࡹᇽ 2009/04
influenced the creation of thCee enntvriarlo (n1m8e9n9t) .i nB B. oBheenmdieal,mKauybeirs twaa, sF trahnet aisuetkh oKry soefla, Jan Zrzavy, the architectsor the representatives of Nesiog-nRiefincainssta Anrcte N coruevaetaioun builJdoisnegfs G(tohcea rH aontedl OEtvarkoapra Novotny. In 1910 Jan Koteraand authors of monumentala cnudl ttuhrea lP baulailcdein Hgvs ewzhdiac h/Stalre/f ti nf oWr etnhcee sSlcahso Soql uoafr eA,rchitecture at the Pragueimprinted Prague the charaacptaert mofe an tm heotursoepso alitt aPnowdeAr cTaodweemry). of Fine Arts. Instead of himself he appointedcity: Josef Zitek, author Ēof thAet N tahtei oenadl oTfh 1e9atthr ec enturyh aisr cfhoirtmecetru croal ledaugucaet fioronm the studies in Vienna and asymbol of the Czech nationianl tehnel ilaghndtes nomf Cenzet,c ha nkdingdomdi swciapsl eru onf awlrietahĒd Oayt Satltoo tvWheranegen aerc hitectJosef Schulz, the author of tinhset iNtuationĒsa tlih nMe Pu Arsaecgauudme manyd of FJionseip A Prtles,c nthike. Plecnik, a disciple of Otto Wagner, hadthe Museum of Applied Polytechnic and the cSocmhopolle toefd A spipgnliiefdic aAnrts b, uinildings in Vienna by that end of the century br1o8u9g9h t htew ofo suirgtnhif iscahĒnotthoel wCazseI ncf hoPurnagdueed after the establishment of the independenteveĒnthse demolishion of medPioelvyatel cfohrntiicf iicna tBironnos, in the cCeznetcrheo osfl oMvoarka Rvieap. uIbnslipci tien 1918 he was appointed toand the issue of the Assanaotifo int Lthaew m(1o8s9t3 p),r ewsthiigcihous afruclhfitlel catnu reaxl terdauocrdatinioanry assignment. The firstaccelerated the building devcelnotprem,e tnrat iinni nPgr aygouen ga nadpplicCaznetcsh forsolmov akll praerstisd oefn t hTe. G. Masaryk committed himits transformation into a moAduesrtnri amne Mtroonpaorlcithayn, wciatys .the tVoi emnondai fAyc Pardaegmuye oCfa sAtrltes,. which he wanted to rebuildOther personalities employeFdr womit h1 8P9ra4g iute w Paosl yhteacdhendic byi nptroo fae sysomrb Ootl tof Wdeamgnoecrr,atic state. Plecnik made thewere already connected withth ae garuatdhuoarl odfi vneurmsieorno ufrso imnnofveautdivael breusilidienngcse i na by garden modifications,classical morphology and seAalrtchhoiungh n heew w eaxsp orerisgsiinoanlly ah Nee ion-tReercnoanisnseacntceed a intsd pAarrtts by monumental staircasesforms, with the arrival of theN oMuovdeearun, awrchhositee lcatn,g iuna g1e90a6n hde i natnimnoatuen cpeadss atghes, in the inner spaces he carriedbecame Art Nouveau: Antonpirno Bgraalsmamnek o (fM musoeduemrn oafrchioteuctt gueren,e rwohuoss ree efussrebnischem iesnt and a private residencethe Prague Municipality, thea Psrpaagcuee c Mleuanrilcyi pdaelf iHnoeuds bey cfoonrs trhuec tpiroens,i dmeante. rHiael eanrdiched the castle architectureon whose decoration partictihpea tsetdr uaclstou rteh ep uwroprolsde-. In nthote onnelyw w ciothn cuenpetx poefcted spatial concepts, but alsofamous painter Alfons Muchaarc)h, iJteocsetuf rFea hnet aw a(Ms ailsno followwitehd mby thhiisc Cazl epcohe dticscsi polfe shape, which is likely toRailway Station), or Jan KouAlan tboenloin gEinge tlo, aBrochhuitmeiclt sHypinsfmluaenn,c Jea anl lK goetenrear aatniodns of architects...Besides thesearching sources in domestiFcr avnetrinsaecku Rlaori Ahlilt eocf ttuhrem. acfatsetrle t hmeo diipfilcoamtiao nosb tPelnescinoink later built the Church of theAt the end of the century,r eintu 1r8n8e5d atnoo Ptrhaegru sec haonodl becaHmoely s nLisg oHnridefiacratn itn aVricnhoihteractdsy,, Prague (1928-1932),was founded - The School ofE nAgpepll iaendd AKrotst eirna P breaignuge a,lsoa enddu hcaet worass. active at the School of Applied Arts untilwhich was at the time of its foJuand Kaotitoenr at hbee cfiarmste a tnhde m1a9i2n1 p, rweshoenna lhitey woaf st hcealled up to teach at the newlyonly state school of art inC Bzoehche mmioad. eTrhneis tN tHabisl ieshaerdly u wniovrekrss isttyi liln school buildinbge,l ownhgoesde t od etshieg np ewriaosd of Art NAotu tvheea Suc (hPoeotle orfk aA pHpoluiesde Arts Plecnik was replaced,influenced by the academieisn iWn ePnacreiss laansd S qVuieanren ai,n iPsrĒagubeo,t ht hien N eandatnuiodcna artelon pcHrtososuritsieo ns, by Pavelbuilt on the embankment, oapnp oAsritt eN othuev emaus iccuallt uarnadl anJda ncaokm amnudn Oatl apkalra Nceo viontny who was also working for aexhibition palace of eItj owva,s Mnorta av isac)h,o boul to fhes hgroartd utiamlley aetl atbhoer Partaegdu ae Academy after the departureuniversity type, but it had an sepwec eiaxl psrteatsusiso snu rcphaassriancgteroifz ehdis bteya cah iDounrainlg the functioning of Pavel Janakthe secondary educational sayssytmeme atnridc aol ultasytoauntd fionrgmulainte 1d9 b2y5 atrhteic suclhatoeo lv owlausm aegsain awarded a prize for itsartists were appointed to its( hMeuasdesuhmip iann dH readduecca tKiornaalolve)x,p oasnidti otnh ein c thhoei csety olef of art déco at the Exhibition ofposts. The school had to edumcate rsipaelsc iwahliiscths ianr ea rdtiesctiocratDiveec oervaetniv eb yA trhtse irn Later, under the leadershiphandcraft (sculpture in stone( tahned h mouestea l,o fw tohoed -ecdairtvoirn Lga,icohft Oert aokra Ur rNboanvoetkn hyo, utshee inauthor of the functionalistdecorative painting, applied Pgrragpuheic).s ,I nc e1r8a9m8-ic1s9,1 t0e Jxatinle Koptaev irlaio snt ooofd t ahte tfhinee h eaartd aosfsociation Mánes and otherdesign), and also educationaa ls psetacfiaf lf aorc dhritaewcitnugr aal tstudibou ailtd tihnegs P, rtahgeu esc Shcohoolo wl aosf transforming according totechnical and vocational Tdh Aer tpsu, rwphoisceh owf atsh isstronthgely mfoordmeel do fb yth hei sG aetrtmituadne Bsauhaus. Another disciple ofspecial school for decorativet oa rtchheit cercetautrieo nw aosf stthued yminogdeJrna ns tKyolet,e rbay, tJhoes enfe cGeoscsaitry took over the headship ofarchitectural form and arto fi nudnuitsytr bye rtewleaetend a rtcohitectuarec haitnedc tauprpal iedu nA tat the Academy and in 1922-1925architecture, designing decotrhaatti vteim pear ths eo fs cbhuoilodli ndgisv,ergceodm fprloemte hdi satno rinisdme paennddent pavilion of the School ofinteriors and furniture. Amobneg cfameo uas s eigdnuicfiactaonrts caeftnetre Aofr cAhritt Amllo vtehmreeen to:f them belonged to athe establishment of the scthhoeo rl etshuelrtes wearse B aepdprriechciatedge ante trhaeti oWno orlfd a Erxchibteitcitosn undergoing the precipitousOhmann, an architect from iVni ePnanrais aind 1 t9h0e0 ,a uwtheore o fthed Secvheololp mofe Anpt pflrioemd Athrtes modernist movement withthe first Art NouveaĒun bouwiladdinagyc shinie Pveradg tuhee prestigious Graencdh oPersix Art Nouveau at the break of the century,already not existing Cafe CorsoA. mHeo nagl stoh lee dst huidse snttusd wenhtos etnhtreoruegdh inthtoe tchĒueibn Si scath goploeolrbioadlly uniquefrom historical morphology toof Arptp Nlioeudv Aeartus caotn tcheeiv beedginanricnhgi toeĒfc bthueertew n eewn ctehnet tuwryo world wars, towardsas a comprehensive aesthetitch perroeg rwaemrme efu atnudre t oregeptrheesernatant ievnetsi roef lCy zneecwh caunbdis mprogressive functionalistwith two ĒofA ltohies mDryak anda nBde tdhrei cgheneration of the inatrecrhwitaer catvuarnet i-ng a1r9d3e0,s e .the last century. It was theBendelĒmhaey edresigned the Artt hNeo upvaeinaute hrso tJeolsef Capek, Vfuancclativo nBaelnisetsĒ ,cp orBmeodhpoulmemtiiniolannstly in Prague,ࢮक़֒սࡹᇽ/THE CONTEMPORARY ARCHITECTURE IN CZECH REPUBLIC35
Brno, ZlĒin t,h to which thseig Cnzifeichanots ltorvaanksformations rfeolra eteadc hp rsedmoemsitnearn. tTlyh itso ensures a direct feedbackRepublic belonged to the thtehne- exsitsatbinligs hamrcehnit eocft nuerawl prbinectiwpleeesn i ns tcuodheenrtesn acned w eitdhucators. Studio work is builtavant-garde. Another disciplteh oef L Oatwto o Wn aUgnnievre,r Asintiteosn ifnromve yT,h we hiincsht rius cat ipoanrticular specific of the PragueEngel, the author of monumiennvtoallv beudi ldnienwgs eadnudc uartboarns, sfiagcnuiflticy:a n ftr opmra cthtiec aselcond year of study until theconcepts (the rebuilding of tahrec hPirtaegcutse, qsucahrt aesr tDheej vaiuctehodr iopfl oemxpar eyessaivr es tcuodmepnltest inondsividually work on commonwith the ensemble of univeinr sPitrya gbuuei,l dAilnegnsa) ,S rwaamskova (arsesnigonvmateionnt sa innd paadrdtitciuolnar studios, whose currentconnected with Prague Polytote tchhen Mica winh Roaseil whaisyt oSrtyation,n uCmombemre irsc fioarl tPya. lTahce pCrKoDjects assignments address up-derives from the School oĒf Eningi n Weeernincge s(1la7s0 7S) Ianr 1e9)2, 0a spteoc-diaaltiest p irno bmleomnĒuse .n2 i1tnste cnesniftiucaryt iontwo years after the establishrmesetnotr aotfi otnh eB oinhduempiel nFdaenntta, tohfe t ahuet hcoitrys, o rfe sgigeniefircaatniotn of the landscape andCzech ReĒp iut bwliacs renamed tcoo mthpele Ctizoencsh Karel Hubacek s(eTtVt lteomweenrt so,n b trhoew nJefisetledds, housing issues in relation toTechnical University which minoculundtaeidn )t,h Jea Srochsloaovl Soaffer, lT ahned a trecchhinteoclotg aicnadl transformations in informationArchitecture and Civil Enginoeuetrsintag nadsi nogn eh iosft oitrsia sne voefn mosdoecrine tayr,c hhoituesicntgu rwei tphr requirements for seniorsparts (faculties).Vladimir Slapeta was electeadn tdh eth dee , ecological structures and issuesThe generation of architectTs hien cthuerr ennetw a Crczheicthecturalo ifn sutrsutcatinioanb lies cdaervreielodpment, issues of monumentsRepublic left its original foootpurti ntost ionn Plyra ignu teh,e bfroatmh einworcko nosfe trevcahtnioicna al nudn irveenrosivtaietison. Among the studios therethe architecture of residentiianl Pbruailgduineg, sB (rtnhoe aendse Lmibelereca,r ew ahlesroe s tpheec igarla odnueast esxploring the opportunities ofof functionalist villas Baba) aonbdt atihna t hoef pduebglriec eb ueinldgiingeserC aArDc hpirtoegcrta,m bmute sa lfsoor atthe creation of nontraditional(Gocnsa rLegiobanknsa ,A dJarinaa kPaslcahcoeo,ls of aĒr ttihstei cP rtaygpuee Acadfoermys .o Tf hFeinye search new ways of designing by means ofdepartment stores Lidt and ABrattsa a bnyd Farta tnhteis eSckh Koyosle olfa ,Apptlhied n Aerwtse,s tw theocshen department store with ao pbatsasiang teh Ce edrengar reuez eo f( BaclaacdkemicO af raclhl T shceh oboiglsg,e tshte Faculty of Architecture,Rose) and the Fair Palace beyd Oulcdarticiohn Tayll easntda bJloisehfmenCt TiUs thhaes tFhaec mulotsyt ofrfequent foreign students mobilityFuchs etc.), and among otheArrsc chrieteactetudr teh, eC szpeecchi fTice cohfnicwailt hU nthivee crosiutny tirnie Ps roafg uEeu,rope, the USA, Mexico, Brazil,Prague modern architeĒ catbuoreuw tohfi c2h0 tihs caelsnot utrhye most dynaCmhiicnaal,l yS iglnrTgohawepi onargiem f aocfu tlthye school is furtherhalf a hundred of modern ci(tfyr opmas s4a0g0e in 1989 tinot ceunrsriefincta 1ti3o0n0 ostfu fdoernetisgn mobility and creatingDuring the German occuppaetrio tnh e( 1t9o3t9a-l 1n9u4m5)b earl lof 27 tshtorucstaunrdasl sctouodpeenrtast oiofn t hweith selected universities were rAsfitey)r. the war theThe faculty employs a lot of significanteducation continued at the SchAoso tlh oef fAirscth Citzeeccthu rfea caunldty ocfo natrechmitpeocrtaurrye a arcqhuitierecdts: Jan Bocan, Ladislav Labus,Civil Engineering until 1960,in w 2h0e0n7 bthy et hEeu rmopeergaenr a ocfcredRitoamtiaonn ,K iyt,s Vglraadiumaitre Ksratky, Jan Sedlak, Petr Suske,several facultieĒs tah nee Fwa cfualctuyhl toayfv eC iavnil education and degrJeaen a Scekpnkoaw laenddg ePde tbry H tahĒjetehke, Alena SramkovaEngineĒecrainmge into being. ThEisu rsoepeaarnat Uionni oonf and can cararuyt hoourt othf ethire p nreawct ifcaec ualltly building whose constructionarchitectural and civil enginoeveri nEgu reodpuec (aEtUio Gn uwidaesl ianes 8w5i/ll3 b8e4/ iEnHitSia atned 2in0 0t5h/is3 6y/ear, and others. Since 2006consequence of the preferenEtSi) Tfohceu cso omf mthoen bburialdnicnhg Artcheit efaccturlety a hnads Ubrebean ihsmeaded by the dean Zdenekindustry upon typification anhda sp rtewfoa bfruirctahteior nm, oredquuleirse: dgarZdaevnre aln, dw lhaon dhsacsa ipneit diaetseigdn numerous changes both inby the central management oafn tdh teh beu niledwinlgys apcrcerpeadriatteiodn inedduusctaritaiol nd easnidgn Boersgiadneiszation. He is of Czech origin,and implementation. In thei nasrtcrhuictteiocntu irne C azfetcehr ltahneguagbeu tth hee f ascpuelntty tphreo vloidnegse tswt poart of his professional life inperiod of socialist realism in a5c0cs rtehdeirte dca pmroeg ar asimgnmĒifemics atnsatuetgrhhet Nine tEhnegrlilsahnds, where he designed, completedperiod of numerous famous dbeugirldeien gpsr owghraomsem aeu tahnodr sdoctbourialdl idneggsr aened p erodgurcaamtemde . He is the author offollowed the best traditionsT ohfe Cinzestcrhu cfutinocnt iiosn, alilkisem at moothste rE buuroilpdeinagns sinc hForoalnsc,e, Africa.....The current effortbut at the same time soughts tar uncetwu rexdp irne stshiorene d sutraingegs aocfc othrdei nFga ctuol ttyh eo fB Aorlcohgintaecture, beside the acquistionthe implementation of new DbeucildariĒnatgthi otrenceh-yneoalorg bieasc hinelor osft updryo,f etwsio-nyaela krnowledge, is education towardscooperation with fine artistms asntde rh asntuddcrya aftn adr -yecarre adtoicvtitoyr,a sl Iyn towards artistic, aesthetic andAcknowledgement abroad wcaosh aecrheinecve dw fiitrhs tt hoef aclul rbriyculeac ofl oEguicroapl evanlu secsh iono tlhs eo fcontext of multicultural andCzechoslovak pavilions at tahrec Whioterlcdt uErxeh itbhieti ofnasc uinlty stirnitveersn aftoiro naa bl´ in 1958 (F. Cubr, J. cHormubpyo,s oPno koofr nhyu)m aanndi tine, tec`h`nical and artisticMontreal in 1967 (M. Repa, Puyrscehsa,, wFh. oCsueb irn).s tIrnu 1c9ti7o6n iҕsॉ e໓nངsğured by the total ofthe independent Faculty o1f4 Adrecphairttemcetunrtse. ,B iabtl iFoAg ra plahryge part ofestablished and the instructiniosntr uocf tcioivni,l emnogrien etehrain g1/4 o2f. tShbeo lrensisko n2s5,0 i sl ecta rtreiecdhnickych skol v Praze,was left to the Faculty of Ciovuilt Eing ain instrucCtieosnk ofoslromve onns kpaa artkiacduelamrie ved, Prague 1958After 1989 the state projepcrto jinesctist uetleasb osrpalitte idn tino Chesakdae dte bcyh nsigknai,f iCceanskte vysoke uceni technickeprivate studios. The Faculty Cofz eAcrchh aitnedc tsuorme eutnidmeerws eanlsto, fvo Preraigzne ,a rPcrhaigtueec 0T2heboth in its structure and in stthued esntut dcya no rcghaonoiszea tihoen ,leade4r. oDfe hjins/yh Perra shtyu dvi od aptreocjehc, tMlada fronta, Prague 199936ൗࢸࡹᇽ 2009/04
